B004QGYWNU EBOK

  To Luis G. Berlanga

  with affection and admiration

  One must wear one’s vices like a royal mantle, with poise. Like an aureole that one is unaware of, that one pretends not to perceive.

  It is only natures entirely given over to vice whose contours do not grow blurred in the hyaline mire of the atmosphere.

  Beauty is a—marvelous—vice of form.

  CÉSAR MORO

  Amour à mort

  Contents

  One: Doña Lucrecia’s Birthday

  Two: Candaules, King of Lydia

  Three: The Wednesday Ear Ritual

  Four: Eyes Like Fireflies

  Five: Diana after Her Bath

  Six: Don Rigoberto’s Ablutions

  Seven: Venus, with Love and Music

  Eight: The Salt of His Tears

  Nine: Profile of a Human Being

  Ten: Tuberous and Sensual

  Eleven: After Dinner

  Twelve: Labyrinth of Love

  Thirteen: Bad Words

  Fourteen: The Rosy Youth

  Epilogue

  One.

  Doña Lucrecia’s Birthday

  The day she turned forty, Doña Lucrecia found on her pillow a missive in a childish hand, each letter carefully traced with great affection:

  Happy birthday, stepmother!

  I haven’t any money to buy you a present, but I’ll study hard and be first in my class, and that will be my present. You’re the best and the fairest one of all, and I dream of you every night.

  Happy birthday again!

  Alfonso

  It was past midnight and Don Rigoberto was in the bathroom performing his ablutions, slow-paced and complicated, before going to bed. (Next to erotic painting, bodily cleanliness was his favorite leisuretime pursuit; spiritual purity concerned him far less.) Touched by the little boy’s letter, Doña Lucrecia felt an irresistible impulse to go to him, to thank him for it. Those lines were really her acceptance within the family. Would he be awake? No matter! If he wasn’t, she would kiss him on the forehead, very gently, so as not to wake him.

  As she descended the carpeted stairs of the darkened town house on her way to Alfonso’s room, she thought to herself: I’ve won him over. He loves me now. And her old fears about the child began to evaporate like a light snow gnawed away by the summer sun of Lima. She had neglected to put on a dressing gown; she was naked beneath her thin black silk nightdress, and the full white curves of her body, firm still, seemed to float in the shadow illuminated here and there by glancing reflections from the street. Her long hair hung loose and she had not yet removed the teardrop pendants at her ears, the rings and the necklaces that she had worn for the party.

  There was a light still on in the youngster’s room—Foncho certainly read far into the night! Doña Lucrecia knocked softly and went in: “Alfonsito!” In the yellowish cone of light from the little bedside lamp, there appeared, from behind a book by Alexandre Dumas, the startled little face of a Child Jesus. Rumpled golden curls, mouth agape in surprise baring a double row of gleaming white teeth, big wide-open blue eyes trying to bring her forth from the shadow of the doorway. Doña Lucrecia did not move, observing him with tender affection. What a lovely child! A born angel, one of those court pages in the elegant erotic etchings that her husband kept under quadruple lock and key.

  “Is that you, stepmother?”

  “What a nice letter you wrote me, Foncho. It’s the best birthday present anybody has ever given me, I swear.”

  The boy had leapt from under the covers and was now standing on the bed. He smiled at her, his arms opened wide. As she came toward him, smiling too, Doña Lucrecia surprised—divined?—in the eyes of her stepson a gaze that changed from happiness to bewilderment and riveted itself, in astonishment, on her bosom. Good heavens, you’re practically naked, she suddenly thought. How could you have forgotten your dressing gown, you idiot. What a sight for the poor boy. Had she had more to drink than she should have?

  But Alfonsito’s arms were now about her: “Many happy returns, stepmother!” His voice, fresh and carefree, made the night young again. Doña Lucrecia felt the slender silhouette of frail bones against her body and was reminded of a little bird. The thought crossed her mind that if she hugged him tightly to her, the child would break like a reed. With him standing on the bed, the two of them were the same height. He had twined his thin arms around her neck and was lovingly kissing her on the cheek. Doña Lucrecia embraced him, too, and one of her hands, gliding beneath his navy-blue pajama top with red stripes, made its way up his back, her fingertips feeling the delicate gradations of his vertebrae. “I love you lots, stepmother,” the little voice whispered in her ear. Doña Lucrecia felt two tiny lips linger on her earlobe, warming it with their breath, kissing it and nibbling it, playing. Alfonsito appeared to her to be laughing as he caressed her. Her breast was filled to overflowing with emotion. To think that her women friends had prophesied that this stepson would be the major obstacle for her, that because of him she would never be able to be happy with Rigoberto. Deeply moved, she kissed him back, on the cheeks, the forehead, the tousled hair, as, vaguely, as though come from afar, without her having really noticed, a different sensation suffused every last confine of her body, becoming most densely concentrated in those parts—her breasts, her belly, the backs of her thighs, her neck, shoulders, cheeks—exposed to the child’s touch. “Do you really love me lots?” she asked, trying to free herself from his embrace. But Alfonsito would not let her go. Instead, as he sang out in answer: “Lots and lots, stepmother, more than…” he clung to her. Then his little hands grasped her by the temples and thrust her head back. Doña Lucrecia felt herself being pecked on the forehead, the eyes, the eyebrows, the cheek, the chin… When the thin lips brushed hers, she clenched her teeth in confusion. Did Fonchito know what he was doing? Ought she to push him brusquely away? No, of course not. How could there be the least perversity in the mad fluttering of those mischievous lips that twice, three times, wandering over the geography of her face, alighted on hers for an instant, hungrily pressing down on them.

  “All right, to bed with you now,” she finally said, freeing herself from the boy’s embrace. She did her best to appear more self-assured than she felt. “Otherwise, you won’t get up in time for school, sweetie.”

  Nodding his head, the boy got into bed. He eyed her, laughing, his cheeks flushed a rosy pink, an ecstatic look on his face. How could there be anything perverse about him? That pure little face, those eyes filled with joy, that little body tucking itself in between the sheets and snuggling down: weren’t they the personification of innocence? You’re the corrupted one, Lucrecia! She pulled the covers over him, straightened his pillow, kissed his curls, and turned out the lamp on the night table.

  As she was leaving the room, she heard him trill: “I’ll be first in my class and that will be my present for you, stepmother.”

  “Is that a promise, Fonchito?”

  “Word of honor!”

  In the intimate complicity of the staircase, on her way back to the master bedroom, Doña Lucrecia felt on fire from head to foot. But it’s not a fever, she said to herself in a daze. Could a child’s unthinking caress have put her in such a state? You’re becoming depraved, woman. Could this be the first symptom of old age? Because there was no question about it: she was all aflame and her thighs were wet. How disgraceful, Lucrecia, shame on you! And all of a sudden there came back to her the memory of a licentious friend who, at a benefit tea for the Red Cross, had given rise to flushed cheeks and nervous titters at her table when she told them that taking afternoon naps naked, with a young stepson raking her back with his nails, made her as hot as a firecracker.

  Don Rigoberto was stretched out
on his back, naked, on top of the garnet-colored bedspread with its repeated pattern of what appeared to be scorpions. In the dark room, lighted only by the glow from the street, his long, pale white silhouette, with a thick patch of hair at his chest and pubis, remained motionless as Doña Lucrecia took off her slippers and lay down at his side, not touching him. Was her husband already asleep?

  “Where were you?” she heard him murmur, in the thick, drawling voice of a man speaking from out of a dream-fantasy, a voice she knew so well. “Why did you leave me, darling?”

  “I went to give Fonchito a kiss. He wrote me a birthday letter you wouldn’t believe. So affectionate it almost made me cry.”

  She sensed that Don Rigoberto scarcely heard her. She felt his right hand stroking her thigh. It burned, like a steaming-hot compress. His fingers fumbled about amid the folds of her nightdress. “He’s bound to notice that I’m soaking wet,” she thought uneasily. But it was a fleeting uneasiness, for the same violent wave that had startled her so on the staircase washed over her body once more, giving her gooseflesh all over. It seemed to her that all her pores were opening, waiting anxiously.

  “Did Fonchito see you in your nightdress?” her husband’s voice dreamed aloud, in passionate tones. “You may have given the boy wicked thoughts. Perhaps he’ll have his first erotic dream tonight.”

  She heard him laugh excitedly, and she laughed, too. “Whatever are you saying, you idiot?” At the same time, she pretended to slap him, letting her left hand fall on Don Rigoberto’s belly. But what it touched was a human staff, rising and pulsing.

  “What’s this? What’s this?” Doña Lucrecia exclaimed, grasping it, pulling on it, letting it go, catching hold of it again. “Look what I’ve found. What a surprise.” Don Rigoberto had already lifted her up on top of him and was kissing her with delight, sipping her lips, separating them. For a long time, with eyes closed, as she felt the tip of her husband’s tongue exploring the inside of her mouth, gliding along her gums and her palate, striving to taste all of it, know all of it, Doña Lucrecia was immersed in a happy daze, a dense, palpitating sensation that seemed to make her limbs go soft and disappear, so that she felt herself floating, sinking, whirling around and around. At the bottom of the pleasant maelstrom that she found herself, found life to be, as though appearing and disappearing in a mirror that is losing its silver backing, an intrusive little face, that of a rosy-cheeked angel, was discernible from time to time. Her husband had lifted her nightgown and was stroking her buttocks, with a methodical, circular movement, as he kissed her breasts. She heard him murmur that he loved her, whisper tenderly that for him real life had begun with her. Doña Lucrecia kissed him on the neck and nibbled his nipples till she heard him moan; after that, she very slowly licked those exalted nests that Don Rigoberto had carefully washed and perfumed for her before coming to bed: his armpits.

  She heard him purr like a pampered cat, wriggling beneath her body. His hands hurriedly parted Doña Lucrecia’s legs, with a kind of exasperation. They placed her astride him, seated her in the proper position, opened her. She moaned, in pain and pleasure, as, in a confused whirlwind, she glimpsed an image of Saint Sebastian riddled with arrows, crucified and impaled. She had the sensation that she was being gored in the center of her heart. She could contain herself no longer. With her eyes half closed, her hands behind her head, thrusting her breasts forward, she rode that love-colt as it rocked to and fro with her, following her rhythm, mumbling words just barely articulated, till she felt herself dying, fainting, failing.

  “Who am I?” she inquired blindly. “Who is it you say I’ve been?”

  “The wife of the King of Lydia, my love,” Don Rigoberto burst out, lost in his dream.

  Two.

  Candaules, King of Lydia

  I am Candaules, King of Lydia, a little country situated between Ionia and Caria, in the heart of that territory which centuries later will be called Turkey. What I am most proud of in my kingdom is not its mountains fissured by drought or its goatherds, who, if need be, do battle with Phrygian and Aeolian invaders and Dorians come from Asia, and rout bands of Phoenicians, Lacedaemonians, and the Scythian nomads who come to sack our borders, but the croup of Lucrecia, my wife.

  I say and repeat the word. Not behind, or ass, or buttocks, or backside, but croup. For when I ride her the sensation that comes over me is precisely this: that of being astride a velvety, muscular mare, high-spirited and obedient. It is a hard croup and as broad, perhaps, as it is said to be in the legends concerning it that circulate throughout the kingdom, inflaming my subjects’ imaginations. (These accounts all reach my ears, but rather than angering me, they flatter me.) When I order her to kneel and touch her forehead to the carpet to kiss it, so that I may examine her at will, the precious object attains its most enchanting volume. Each hemisphere is a carnal paradise; the two of them, separated by a delicate cleft of nearly imperceptible down that vanishes in the forest of intoxicating whiteness, blackness, and silkiness that crowns the firm columns of her thighs, put me in mind of an altar of that barbarous religion of the Babylonians that ours expunged. It feels firm to my touch and soft to my lips; vast to my embrace and warm on cold nights, a most comfortable cushion on which to rest my head and a fountain of pleasures at the hour of amorous assault. Penetrating her is not easy; painful, rather, at first, and even heroic, in view of the resistance that those expanses of pink flesh offer to virile attack. What are required are a stubborn will and a deep-plunging, persevering rod, which shrink from nothing and from no one, as is true of mine.

  Jacob Jordaens, Candaules, King of Lydia, showing his wife to Prime Minister Gyges (1648), oil on canvas. The National Museum of Stockholm

  When I told Gyges, the son of Dascylus, my personal guard and minister, that I was prouder of the feats performed by my rod with Lucrecia in the sumptuous, full-sailed vessel of our nuptial bed than of my valorous deeds on the battlefield or of the impartiality with which I mete out justice, he whooped with laughter at what he took to be a jest. But it was not; I truly take more pride in such exploits. I doubt that many inhabitants of Lydia can equal me. One night—I was drunk—I summoned Atlas, the best endowed of my Ethiopian slaves, to my apartments, merely to confirm that this was so. I had Lucrecia bow down before him and ordered him to mount her. Intimidated by my presence, or because it was too great a test of his strength, he was unable to do so. Again and again I saw him approach her resolutely, push, pant, and withdraw in defeat. (Since this episode vexed Lucrecia’s memory, I then had Atlas beheaded.)

  For it is beyond question that I love the queen. Everything about my spouse is soft, delicate, by contrast to the opulent splendor of her croup: her hands and her feet, her waist and her mouth. She has a turned-up nose and languid eyes, mysteriously still waters troubled only by pleasure and anger. I have studied her as scholars ponder the ancient volumes of the Temple, and though I think I know her by heart, each day—each night, rather—I discover something new about her that touches me: the gentle curve of her shoulders, the mischievous little bone in her elbow, the delicacy of her instep, the roundness of her knees, and the blue transparency of the little grove of her armpits.

  There are those who soon tire of their lawfully wedded wife. The routine of married life kills desire, they philosophize: what illusory hope can swell and revive the veins of a man who sleeps, for months and years, with the same woman? Yet, despite our having been wed for so long a time, Lucrecia, my lady, does not bore me. I have never grown weary of her. When I go off on tiger and elephant hunts, or to make war, the memory of her makes my heart beat faster, just as in the first days, and when I caress a slave girl or some camp follower so as to relieve the loneliness of nights in a field tent, my hands always experience keen disappointment: those are merely backsides, buttocks, rumps, asses. Only hers—O beloved!—is a croup. That is why I am faithful to her in my heart; that is why I love her. That is why I compose poems to her that I recite in her ear and when we are alone prostrate myself to
kiss her feet. That is why I have filled her coffers with jewels and precious stones, and ordered for her, from every corner of the world, slippers and sandals, garments, priceless ornaments she will never get around to wearing. That is why I care for her and venerate her as the most exquisite possession in my kingdom. Without Lucrecia, life would be death to me.

  The real story of what happened with Gyges, my personal guard and minister, bears little resemblance to the idle rumors that have made the rounds concerning the episode. None of the versions I have heard comes even close to the truth. That is always the way it is: though fantasy and truth have one and the same heart, their faces are like day and night, like fire and water. There was no wager or any sort of exchange involved: it all happened quite spontaneously, on a sudden impulse of mine, the work of chance or a plot by some playful little god.

  We had attended an interminable ceremony on the vast parade ground near the Palace, where vassal tribes, come to offer me tribute, deafened our ears with their brutish chants and blinded us with the dust raised by the acrobatic tricks of their horsemen. We also saw a pair of those sorcerers who cure ills with the ashes of corpses and a holy man who prayed by twirling around and around on his heels. The latter was impressive: impelled by the strength of his faith and the breathing exercises that accompanied his dance—a hoarse panting that grew louder and louder and appeared to be coming from his very guts—he turned into a human whirlwind and, at one point, the speed he attained was such that it caused him to vanish from our sight. When he again assumed corporeal form and ceased whirling, he was sweating like a war-horse after a cavalry charge and had the dull pallor and the dazed eyes of those who have seen a god, or a number of them.